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Wintersong 2009

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New dance ultimately succeeds to the extent that it touches and challenges CCDT's dancers whose artistic instinct invariably forecasts audience response. Among the most memorable… David Earle's communal epic Chichester Psalms (1988), an overwhelming expression of love's power to redeem, propelled by two choirs, timpani and organ; Carol Anderson's Garden (1989), a misted recollection of childhood paused at the Garden's gate, whose exquisite poised-on-the-brink solo danced by Patricia Quevedo during a star-studded Dancers for Life gala, crystallised that event's essence; Holly Small's Attack of the Small Ones (1989) whose quirky unpredictability set much of China (including a shipful of naval seamen) to uncontrollable giggling during CCDT's 1990 far-eastern tour; and Deborah Lundmark's Sweet Spirit (1999) which releases a quartet of young women to exuberantly test-fly the rather astounding gifts of youth, beauty and grace with which they discover themselves so resplendently endowed.
Each season, three to four dances are added to the repertoire and ten to twelve existing dances are remounted. These are divided between two programs, TEASING GRAVITY- dances for the young and fearless and WINTERSONG - dances for a sacred season. TEASING GRAVITY is CCDT's primary touring program from February to July and contains five or more popular dances which perform well for all audiences in all venues. During the Company's TEASING GRAVITY May showcase at Toronto's Winchester Street Theatre several new, experimental dances are added. The most successful of these enter the active repertoire.
Wintersong 2007

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WINTERSONG is constructed similarly but is more thematically and seasonally specific. It is produced in November and December and draws upon the world's rich winter solstice traditions- all echoing the motifs of light and life reborn from darkness- for its endless inspiration. WINTERSONG also is inspired by the season's great choral music, often employing children's choirs and musicians from the communities where it plays.
For two decades the Canadian Children's Dance Theatre has premiered dance by young dancers though not only for young audiences. Its exploration of this uncharted field has provoked some extraordinary creations by some adventurous dance makers. The Company looks forward to many more seasons of developing its unique role in that most magical of human traditions, drawing people together to reflect on one another in darkened halls.
Centre Shift 2009

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